The Pastor's Daughter's Secret
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The Pastor's Daughter's Secret

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Synopsis

In this faith-infused romantic drama, Tobi is the angelic choir leader at Grace Tabernacle, but to the music industry, she's "Starry," the ghostwriter behind the year's biggest hits. When the cynical, tattooed producer Jimi discovers her identity, he blackmails her into a collaboration that could make or break both their careers. One night in the studio, Jimi smirks, "Angel by day, hitmaker by night?" Tobi fires back, "Judge if you want, but you need my songs." The holy and the profane collide. Can Tobi find her own voice without losing her faith—or her heart?




Chapter 1

The Velvet Cage


The air in the Bishop’s Maitama mansion wasn’t just still. It felt carefully arranged.


Tobi sat on the edge of a velvet armchair, the heavy, high-necked Ankara dress rubbing against her collarbone. The living room showed off "God’s blessings" with white marble floors, gold-leafed cornices, and the thick, expensive smell of frankincense from the diffusers. Here, silence wasn’t peaceful. It was expected. Every step was softened by Persian rugs, and every conversation felt like it might be recorded for heaven.


A life-sized portrait of her father, Bishop Ezekiel, hung on the wall, watching over her. His eyes seemed to follow her, reminding her she was the "First Daughter of Grace Tabernacle," a role that demanded perfection, modesty, and no sign of real feeling.

"Tobi, the prayer vigil starts at five tomorrow morning," her father’s voice boomed from the hallway, though he didn't enter. He didn't need to. His authority saturated the walls. "Ensure the choir is ready. No distractions."


"Yes, Papa," she whispered to the empty room.

She waited, listening to the distant click of his study door, the steady ticking of the grandfather clock, and the quiet settling of a house worth billions of Naira.

At 11:00 PM, the "Angel of Maitama" disappeared.


Tobi moved quietly, used to sneaking around. She took off the stiff Ankara dress, revealing a black bodysuit underneath. She reached under her bed for a worn leather jacket and boots that had never been to church. She took off her headwrap, letting her braids fall, and wiped away the "natural" lip gloss to show a bold, matte red.


Getting out of the mansion took careful planning. She avoided the night guards, slipped through the side gate where the sensor was taped over, and got into a waiting Bolt car two blocks away.

As the car crossed the bridge toward Wuse II, everything changed. The quiet of Maitama faded, replaced by the bright lights and energy of Abuja at night. When she entered the studio basement, the bass was already shaking her bones. It was a deep, rough beat that made her heart race.


"Starry is in the building!" a producer yelled over the music.

Tobi didn’t smile. She was focused. She stepped into the booth, put on the headphones, and closed her eyes. As soon as the beat started, the girl who said "Yes, Papa" was gone.

She started to freestyle. Her voice was smooth and rich, moving easily with the beat in a way that would have shocked her father’s deacons. She sang about hunger, the streets, and what the Church ignored. She was halfway through a verse about "holy fire" burning the wrong things when the music suddenly stopped.

The silence came all at once, sharp and jarring.


Tobi opened her eyes and blinked in the studio lights. The producers stood still. By the soundboard was a man she didn’t recognise.

He leaned back with his arms crossed, his dreadlocks tied in a loose bun. His linen shirt was unbuttoned halfway, showing a tattoo of a serpent wrapped around a cross. His dark, sharp eyes were locked on her, full of recognition that made her uneasy.


He didn’t look like a fan. He looked like someone who had just found something very interesting.

Slowly, he tapped the screen of his phone and turned it toward her. It was a YouTube clip from that morning’s televised service. There she was—Tobi, in a white lace gown, hands raised to heaven, leading the congregation in 'Agidigba.'


He looked at the phone, then at her, a slow, knowing smirk on his face. He stepped forward, his presence filling the small room.

He leaned against the booth’s glass. His voice was low and rough, and it felt like it hit her straight in the chest.

"Does Daddy know his Little Angel has this much rhythm," Jimi asked, his gaze raking over her leather jacket and red lips, "or am I looking at a ghost?"


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