
“The Harmony of Ing and Isms” is a contemplative body of work that traces an inner pilgrimage through faith, doubt, ancestry, and becoming. In a lyrical, cyclical cadence, it dwells in the space between questions and answers, motion and stillness, certainty and uncertainty. Across its movements, the work meditates on what it means to be a pilgrim of spirit and mind, navigating chaos, ideology, memory, and hope while reaching toward the “highest self.” Drawing on images of journeying, melanin and lineage, valleys and mountains, it honours both the fractures and harmonies of contemporary existence. Repetition becomes invocation, turning “ing” and “isms” into living energies rather than abstract ideas, as the voice insists on presence, persistence, and ascent. This is a text that does not resolve so much as deepen, inviting the reader to inhabit its tensions and find their own reflections within its evolving song.